22 November – 22 December 2017
An exhibition of over 30 spectacular silver gelatin prints from Sebastião Salgado’s monumental photo-essay Genesis.
Genesis follows Workers (1993) and Migrations (2000) as Salgado’s third major long-term project. Whereas his first two projects documented human plight across the globe, Genesis, shot over eight years from 2004, aimed to capture the few remaining environments untouched by human hands. This task took the photographer to over thirty countries including Siberia, Papua New Guinea, Alaska and The Galápagos. The series, which Salgado has called a “love letter to the planet,” consists of a vast array of images of the natural world at its most dramatic.
Included in the exhibition are photographs of endangered wildlife, landscapes of pristine and untouched environments and portraits of indigenous people. All images included are rendered in Salgado’s trademark dramatic black and white chiaroscuro. Of the project, Salgado has said: “So many times I’ve photographed stories that show the degradation of the planet. I had one idea to go and photograph the factories that were polluting, and to see all the deposits of garbage. But, in the end, I thought the only way to give us an incentives, to bring hope, is to show the pictures of the pristine planet to see that innocence.”