Upcoming
24.4 – 31.5 2025
Lisa Sanditz:Big Boy
3–5 Swallow Street
Lisa Sanditz:Big Boy
24.04 – 31.05.2025
Upcoming
Hours
Monday to Friday, 11:00am – 5:30pm
Saturday, 1:30pm – 5:30pm
Gallery
3–5 Swallow Street
London
W1B 4DE
Lisa Sanditz. School’s Out (2025)
Lisa Sanditz. Futbol (2025)
Huxley-Parlour are delighted to announce their third solo exhibition of works by Lisa Sanditz, opening at our Swallow Street gallery in April 2025. Big Boy will present a suite of ten works on canvas which interrogate familial and generational power dynamics through a playful disruption of figurative scale, whose fraught and tender interactions mimic the fecund and fragile landscapes they inhabit.
Lisa Sanditz. Futbol (2025)
Sanditz plays with scale, as both a narrative and formal device, to investigate the tensions of the contemporary moment. Informed by historical principles of painting, where scale has been used to create a sense of perspective and as a means to denote visual hierarchies, the artist manipulates her subjects in relation to each other and their environment. Monumental figures dominate their natural surroundings, which heightens our attention paid to the landscape, and suggests our outsized impact upon it.
B. United States1973
Biography
Lisa Sanditz’s pulsating, vibrantly coloured landscapes capture the intersection between the natural world and the built environment and its effect on food production, consumption, ecology and the economy. Her works are rooted in a fascination of how we organize ourselves in a commercial world and how we value and commodify the landscape. This interest in the commercialised landscape has seen Sanditz focus on farming in America’s Midwest, junk food factories in Arizona and car manufacturing in Detroit.
Alongside oil painting and ceramic work, Sanditz has also used plastics and industrial paint, such as that used to spray-paint cars, which she builds up in layers on the canvas, before sanding the surface to reveal the layers of paint, aiming to reflect the embedded nature of man-made products within our landscapes. Throughout her work, colour has remained of constant importance and she uses it in multi-faceted ways within her landscapes. Above all, colour is used as a destabilising force in her painting, in which she re-configures the canvas into a series of breaks and ruptures and streaks of colour, while simultaneously using it to delineate the boundaries between foreground and background and to unify the composition.
Lisa Sanditz was born in St Louis, Missouri in 1973. In 1994, Sanditz received her BA degree from Macalester College, St Paul, Minnesota, later graduating with an MFA from the Pratt Institute in Brooklyn, New York in 2001. In 2008, Sanditz was awarded a Guggenheim Fellowship which allowed her to expand on her interest in depicting the built environment. Sanditz’s work has been exhibited internationally in the United States, Italy, China and Belgium and is included in the permanent collections of the Dallas Museum of Art, Texas, the Kemper Museum of Contemporary Art, Kansas and the Columbus Art Museum, Ohio. In 2019 Sanditz was included in the publication Landscape Painting Now, edited by Tom Bradway. Sanditz has also worked as the visiting artist at SUNY Purchase, the University of New Orleans and Rhode Island School of Design. She lives and works in New York.