Daniel Gordon introduces his new body of work, a selection of still life photographs that make up his first UK solo exhibition, Green Apples and Boots. The artist explores his own response to technology, and the move towards digital processes within his work. Gordon has made use of the personal objects found throughout his house, constructing colourfully fantastical tableaux that sit between the boundaries of sculpture, photography, and collage. Focussing on the ephemera of domesticity and everyday life, Gordon constructs illusive compositions that are comical, vibrantly coloured, and unobtrusively intimate.