27 July – 17 September 2016
An Ideal for Living is an exhibition about how photographers have perceived class, culture and identity in modern Britain. Drawing on the work of 29 diverse photographers, it considers how photographing Britain has contributed to the creation of a collective national identity. The exhibition shows the variety and creativity with which photographers have sought to document what they consider to be a particularly British way of life from the 1920s to now.
The exhibition opens with photographs of British life in the interwar period. Photographs by Emil Otto Hoppé, Bill Brandt and Henri Cartier-Bresson show the early preoccupation with documenting the British class system. Brandt’s landmark photobook, The English at Home (1936), cast a satirical look over social divides and notions of English propriety. The publication would go on to become a benchmark for photographers seeking to comment on the idiosyncrasies of the British class system as it has developed and subdivided through the course of the last century.