Upcoming
24.10 – 22.11 2025
Jem Southam:The Red River
3–5 Swallow Street
Jem Southam:The Red River
24.10 – 22.11.2025
Upcoming
Hours
Monday to Friday, 10:00am – 5:30pm
Saturday, 1:30pm – 5:30pm
Gallery
3–5 Swallow Street
London
W1B 4DE
Jem Southam. Brea, 1982-1994
Jem Southam. The Pig, the Lamb and the Goat, 1982-1994
Huxley-Parlour are pleased to present The Red River by British photographer Jem Southam, the artist’s third solo exhibition with the gallery. With poetic reflections on the English countryside and its history, The Red River explores rural, post-industrial north-west Cornwall, portraying the intertwining of a manufactured landscape and human industry with nature. First exhibited in 1987 and published in 1989, the series is a seminal project within British photography.
Jem Southam. The Pig, the Lamb and the Goat, 1982-1994
The Red River was innovative within contemporary paradigms of photographic technique. It was the photographer’s first resolved work in colour, a practice uncommon in the 1980s. At times, Southam also subverts conventional compositional techniques with radical angles and close distances to the subject matter. Amid these technical transgressions, Southam punctuates the series with traditional landscape imagery which evokes English Romanticism.
Made in the 1980s and revisited in the 1990s, Southam’s project followed the path of the Red River from its source in Troon, along its heavily industrialised valley, and through to the sea. Tin mining gave the slender stream its distinctive red hue. Declining and almost entirely disappeared when Southam was creating The Red River, the industrial identity of the valley was steadily transforming from a reality into an historical fact. He began to photograph the scattered, decaying relics of this industrial past as they slowly merged with the flora, leaving their scars on the land.
B. United Kingdom 1950
Biography
Jem Southam’s richly detailed works document subtle changes and transitions of the South West English landscape, allowing the artist to explore cycles of life and death through spring and winter, and also to reveal the subtlest of human interventions in the natural landscape. His work is characterised by its balance of poetry and lyricism within a documentary practice.
Southam’s works exclusively in series, with bodies of work including Bristol City Docks (1977 – 1984); Paintings of West Cornwall (1982 – 1986); The Red River (1982-1987); The Raft of Carrots (1992); The Shape of Time: Rockfalls, Rivermouths and Ponds (2000); and Upton Pyne and the Red River (2007). Southam’s early and seminal body of work The Red River followed a small stream in the West of Cornwall from source to sea, documenting the legacy of tin mining on the river’s valley and the people who live there.
His 2012 series The River – Winter investigated how the concept of winter is embedded in society’s shared imagination. The series traced the passage of a single winter, following the path of the river Exe and its tributaries in Devon. The Moth (2018), revisits sites from The Red River made almost two decades earlier. Inspired by the old English poems ‘The Wanderer’ and ‘The Seafarer’, the series moves freely between interior and exterior, from sweeping vistas to quiet, overlooked details of rural life. Southam’s 2018 series The Long White Cloud is the result of a six-week journey to document the landscapes of both the North and South Islands of New Zealand. The photographs in this series show his continued fascination with the subtleties of colour, with reflection and transience, and with the effects of the shifting seasons and weather on the landscape. Exploring notions of the sublime in the varied natural landscapes of New Zealand, these photographs accentuate the connections between the drama of nature to the inherent mythologies of the land.
Born in Bristol in 1950, Southam has had solo exhibitions at The Photographers Gallery, London, Tate St Ives, Cornwall and The Victoria & Albert Museum, London. His work is held in many important collections, including those of the Rijksmuseum, Amsterdam, Museum Folkwang, Essen, the Yale Centre for British Art, New Haven, and the The Victoria & Albert Museum. He is currently Professor of Photography at the University of Plymouth.