Eileen Cooper, Ambivalence and Desire

Closed

14.7 – 2.9 2023

Eileen Cooper:Ambivalence and Desire

3–5 Swallow St

Eileen Cooper:Ambivalence and Desire

14.07 – 02.09.2023

Closed

Hours

Monday to Saturday

10:00 am – 5:30 pm

Gallery

3–5 Swallow St
London
W1B 4DE

This summer, a new exhibition of unseen drawings by Eileen Cooper RA, spanning the years 1977 to 1983, will go on display at Huxley-Parlour, London. As well as giving an insight into Cooper’s early practice, this exhibition looks to contextualise her work as fundamentally linked to the radical feminist politics of that era. The exhibition also highlights her as a bold, uncompromising voice of the time.

In this seminal group of works on paper, unseen until now, Cooper presents the fraught energy of this period in history, including the fight for sexual and political freedom. The drawings chart a formative six years for the artist, between graduation from the RCA and the birth of her first child. Cooper’s drawings from this period chronicle an intense investigation of personal identity and sexuality, but also represent experimentation with process, material and form.

These works come from a time when many of her female contemporaries were eschewing drawing and painting in favour of performance and conceptual practices. Cooper’s unflinching and figurative works on paper are therefore radical in both their choice of medium and their subject matter. Although many works are abstracted, the subject matter remains highly personal and highly charged. Cooper states that the works ‘laid the groundwork’ for themes and motifs that her later career would come to encompass.

The Exhibition

8

The Works

27

1

Eileen Cooper

Fall

1982

Pastel and conté on paper

2

Eileen Cooper

Footsteps

1980

Charcoal and pastel on paper

3

Eileen Cooper

Spies

1980

Conté on paper

4

Eileen Cooper

Close Up

1980

Conté on paper

5

Eileen Cooper

The Small Room

1979

Conté on paper

6

Eileen Cooper

Leap

1977

Pastel and conté on paper

7

Eileen Cooper

Handstand

1977

Pastel and conté on paper

8

Eileen Cooper

Sex and Love X

1982

Conté on paper

9

Eileen Cooper

Sex and Love III

1982

Conté on paper

10

Eileen Cooper

Sex and Love IV

1982

Pastel and conté on paper

11

Eileen Cooper

Sex and Love VI

1982

Conté on paper

12

Eileen Cooper

Sex and Love VII

1982

Conté on paper

13

Eileen Cooper

Sex and Love II

1982

Conté on paper

14

Eileen Cooper

Sex and Love I

1982

Pastel and conté on paper

15

Eileen Cooper

Tower

1979

Pastel and conté on paper

16

Eileen Cooper

Mirror

1979

Pastel and conté on paper

17

Eileen Cooper

Seeing

1979

Pastel and conté on paper

18

Eileen Cooper

Stages

1979

Charcoal, pastel and conté on paper

19

Eileen Cooper

In the Bath

1979

Charcoal and pastel on paper

20

Eileen Cooper

Small Reflection

1979

Pastel and conté on paper

21

Eileen Cooper

Landscape

1978

Conté on paper

22

Eileen Cooper

Hide

1978

Pastel and conté on paper

23

Eileen Cooper

Passion

1983

Pastel and conté on paper

24

Eileen Cooper

Seeing Me

1979

Pastel and conté on paper

25

Eileen Cooper

Couple

1979

Pastel and conté on paper

26

Eileen Cooper

Sinking

1979

Pastel and conté on paper

27

Eileen Cooper

Seeking

1979

Pastel and conté on paper

Eileen Cooper

B. United Kingdom1953

B. United Kingdom1953

Biography

Eileen Cooper’s practice encompasses themes of fertility, sexuality, motherhood, life and death. Cooper’s work is centred on the female figure, animals and objects enter Cooper’s compositions, often playing symbolic or totemic roles. Her motif-filled imagery has often been described as magical realism, although she has cited Indian, Persian and Egyptian art as influences on her paintings. Her rich and expressionistic use of colour, as well as her use of strong and simplified line has been likened to the works of Henri Matisse and Paul Gauguin, as well as to Expressionists Emil Nolde and Ernst Ludwig Kirchner.

Eileen Cooper studied at Goldsmiths School of Art from 1971 until 1974, before completing an MA in painting at the Royal College of Art in 1977. She rose to prominence as an artist in the 1980s, during which time she also held teaching posts at both St Martins School of Art and the Royal Academy Schools. She became a Royal Academician in 2001 and served as Keeper of the Royal Academy between 2010 and 2017.

Cooper has been the subject of numerous publications, including Eileen Cooper: A Woman’s Skin by Meredith M Hale and Philip Lindley, and Eileen Cooper: Between the Lines by Martin Gayford. She has had numerous international exhibitions, including solo exhibitions at the Royal Academy of Arts and Dulwich Picture Gallery, London. Cooper curated and co-ordinated the Royal Academy of Arts’ 249th annual Summer Exhibition in 2017. Her work is held in several important collections including Tate, The National Portrait Gallery, The Arts Council Britain, the Victoria and Albert Museum and The British Museum, London. In 2016, Cooper was appointed Officer of the Order of the British Empire (OBE) for her services to Art and Art Education. She is an Honorary Fellow at Murray Edwards College at the University of Cambridge, and the Royal College of Art; and was awarded an Honorary Doctorate from Southampton Solent University in 2014.

In 2022, Leicester Museum and Art Gallery held Parallel Lines: Eileen Cooper and Leicester’s Art Collection, a major survey exhibition that brought together – for the first time – works created throughout Cooper’s career presented in conversation with paintings, drawings, prints, ceramics and sculpture from Leicester Museum and Art Gallery’s permanent collection. In November 2023 she will be included in Women in Revolt: Art and Activism in the UK 1970-1990 at Tate Britain.

Cooper lives and works in London.

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